MUSIC SUPERVISION

Just Temptation offers film producers and directors tailor-made music solutions for their productions. The company consults and supplies creative input as well as a full range of music supervision services (artistic, legal, technical) including: 

  • assisting in the development of the project’s music concept
  • calculating the music budget
  • developing a soundtrack-based marketing strategy
  • searching for the right composer and performer
  • searching for the right track (source music) among a extensive pool of songs
  • clearing the rights at the best possible price while securing user-friendly licensing terms
  • drafting contracts and providing agreement models (composer licensing, synchronization agreement, publishing contracts)
  • score coordination and production (recording, mixes, mastering)
  • music spotting
  • temp score supervision
  • cue sheet drafting and finalizing
  • registering the work with collection agencies
  • monitoring music publishing royalties
For more our music supervision services, contact us at: contact@just-temptation.com



Depending on film producers’ and directors’ needs, Just Temptation oversees the music supervision from its Berlin's headquarters or collaborates with music supervisors around Europe, notably:
  


Pia
Hoffmann

German-based music supervisor Pia Hoffmann runs her own company “musicsupervising,” a consultancy for music concepts, licensing, and rights exploitation for film music. In her capacity as label manager, Hoffmann established Koenigskinder Music, a label specialized in original soundtracks. She studied film and screenwriting in Hamburg/Germany and in Bordeaux/France, where she worked for labels and publishers. Hoffmann provides film producers and directors with tailor-made music supervision services and a unique expertise of the indie music scene.

 

 
      Selected Filmography:
  • The Three Musketeers (2011), director: Paul W.S. Anderson, composer: Paul Haslinger
  • Nanga Parbat (2010), director: Joseph Vilsmaier, composer: Gustavo Santaolalla
  • Soul Kitchen (2009), director: Fatih Akin
  • Effi Briest (2009), director: Hermine Huntgeburth, composer: Johan Söderqvist
  • The Baader Meinhof Complex (2008), director: Uli Edel
  • A Woman in Berlin (2008), director: Max Färberböck
  • Die Welle – The Wave (2008), director: Dennis Gansel


Mikkel
Maltha

With a background as a film industry lawyer and composer, Danish music supervisor Mikkel Maltha provides film producers and directors with dedicated and multifaceted music supervision services. Maltha leads Zentropa Music and provides music supervision and score coordination services to directors such as Lars von Trier and Thomas Vinterberg. His strong passion for collaboration and interaction and his know-how make him an all-round, full-service supervisor.I work 100% for the given movie project and have great experience in striking the balance between budget expectation and artistic fulfillment.


 
 

      
      Selected Filmography:

  • Nymphomaniac (2013), director: Lars von Trier, legal advisor
  • A Royal Affair (2012), director: Nikolaj Arcel, music supervision
  • Melancholia (2011), director: Lars von Trier, music supervision
  • Klown – the Movie (2010), director: Mikkel Nørgaard, music supervision
  • Antichrist (2009), director: Lars von Trier, legal advisor, music supervisor
  • Manderlay (2005), director: Lars von Trier, music supervisor
  • Dogville (2003), director: Lars von Trier, legal advisor
  • Dancer in the dark (2000), director: Lars von Trier, legal adviser
 
 

Marie
Sabbah

In 2012, French music supervisor Marie Sabbah created her own talent agency, providing French producers and film directors with a full range of film music services including music supervision, score coordination, and music rights administration. Sabbah was educated as musician at a classical conservatory, a jazz school and graduated in musicology. In the past, Sabbah founded “Diesis Music,” produced musicians such as Steve Shehan (world music, film music, ballet) and represented jazz legends such as Marc Copland. Back in 1996, her talent and precision allowed Sabbah to launch her career in film music both as copyist for composers such as Gabriel Yared, Philippe Sarde, Georges Delerue, and Ennio Morricone and as an agent for composers. Since 2008, Sabbah manages the French company “Film Music Services,” together with Jean-Pierre Arquié. 
     
      Selected Filmography:

  • In the House (2012), director: François Ozon, composer: Philippe Rombi
  • Asterix & Obelix: au service de sa majesté (2012), Laurent Tirard, composer: Klaus Badelt (composer’s agent)
  • Taken 2 (2012), producer: Luc Besson, composer: Nathaniel Mechaly(composer’s agent)
  • Colombiana (2011), director: Olivier Megaton, composer: Nathaniel Mechaly (composer’s agent)
  • Coco Chanel & Igor Stavinsky (2009), director: Jan Kounen, composer: Gabriel Yared
  • Farewell (2009), director: Christian Carion, composer: Clint Mansell
  • Paris je t’aime (2006), different directors, composer: Pierre Adenot                                          
Andy
Hill



Former Walt Disney Pictures music vice-president and Grammy Award winning music producer Andy Hill is a veteran of the motion picture music trade, having overseen music production on the animated musicals produced during the so-called Disney Renaissance in the 1990's, including Oscar-winning 'Beauty and the Beast', 'Aladdin', and 'The Lion King', and supervised soundtracks for titles including 'Sister Act', 'James and the Giant Peach', 'Ed Wood', and 'The Adventures of Elmo In Grouchland', for which he earned a Grammy as album producer. 
Between 2006 and 2012, Andy devoted himself to the training of film / television / game composers, co-developing and directing post-graduate programs at Columbia College Chicago and Berklee College of Music (US). Since 2013, Andy has been working for film / television / game music supervision and international business development at Galaxy Studio Group - the 25-years old Belgium-based film music post-production leader.



 

      Selected Filmography:

  • My First Mister (2001, dir. Christine Lahti, composer: Steve Porcaro), music supervisor
  • Pretty When You Cry (2001, dir. Jack Green, composer: Normand Corbeil), music supervisor
  • Message in a Bottle (1999, dir. Luis Mandoki, composer: Gabriel Yared), music supervisor
  • Anastasia (1997, dir. Don Bluth & Gary Goldman, composer: David Newman), music supervisor
  • Hoodlum (1997, dir. Bill Duke, composer: Elmer Bernstein), produced all vintage jazz tracks, cast the musicians and vocalists, and commissioned arrangers
  • Disney animated films (1990-1996), music supervisor
 
Stéphane Grégoire
                       
Founder of the label Ici,d'ailleurs (1997), Stéphane Grégoire has released artists such as Matt Elliott / The Third Eye Foundation, Jean Philippe Goude, The Married Monk, Thomas Belhom, who contributed to the label’s strong artistic image, with a clear focus on high-quality indie music.
 


 
                                                  
             
Stéphane is most notably known as producer and music publisher of Yann Tiersen. Later contacted by Jean Pierre Jeunet, he supervised Tiersen's music for 'Amelie', which was acclaimed as one the most successful soundtracks of all times. Stéphane subsequently became the executive producer of the next albums of Tiersen (L'absente, c'était ici, les retrouvailles, on tour), signed with EMI.